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Journal of Neuro-Aesthetic Theory
> Journal of Neuro-Aesthetic Theory #2 (2000-02)
Journal of Neuro-Aesthetic Theory #2 (2000-02)
Cinema and the Brain
Artists Collaborate with Neurologists
Nomadic Memory, Rims of Place
BY: Meena Alexander
Disorientation and the Brain: A Response to Nomadic Memory
BY: Michael Salcman
Ad Gabriele Leidloff: Video of a Moving Visual Object
BY: W. H. Zangemeister
Cut Short
BY: Ellen K. Levy and David E. Levy
Cinema and the Brain
From the Externalization of the Psyche to the Implantation of Technology
BY: Lev Manovich
The Task of the Digital Translator
BY: Laura U. Marks
Interview with Joseph Nechvatal
BY: Martha Trivizas
BLOW UP: Photography, Cinema and the Brain
BY: Warren Neidich
Does One Film to Forget?
BY: Yann Beauvais
Antonioni’s Blow Up And The Chiasmus Of Memory
BY: Colin Gardner
Five Propositions on the Brain
BY: Gregg Lambert and Gregory Flaxman
Emotion and Cognition: About Some Key-Figures in Films by Alan Clarke
BY: Andrea Grunert
Memento: In Search of Remembrance
BY: Penny Starfield
Artists' Projects
Electric Mind: A Screenplay (excerpt)
BY: Diana Thater
Non-Visual Films
BY: Philippe Rahm
Importance of Color
BY: Daniel Blaufuks
White Balance (excerpt)
BY: Francois Bucher
New York Trolleys: Nervous System Demonstration
BY: Ken Jacobs
N 33° 51’ E 130° 47’
BY: gruppo A12 and Francisca Insulza
Corpus Callosum
BY: Eric Duyckaerts
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The Affective Logic of the Sound File in the Age of the Global Sound Archive
Neuro-Curo
Synaesthesia, a Neuroaesthetics Exhibition
This is Tomorrow: A Case of Psychoneural Isomorphism
How to get beyond the market – Transsubjective Reality in the Salyia Divinorum Forest (Let the Crowds in)
The Brain on Drugs
Celebrating Contingency