First of all, I’d very much like to thank Prof. [Brian] Massumi for his brilliant analysis of the new regime of power taking place in America and pretty much the globe, especially using the case of Toshiba as a case study of something that I think really exemplifies the whole way of thinking about biopower. I’d like to thank Daniel Glaser for his elucidation of science and the brain, and I very much want to thank Paul [Miller] for his multi-media lecture on the poetics and aesthetics of the mix. I think it’s kind of broadened the discussion and opened it up to aesthetics.
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For this lecture, I would like to focus on the distinction between aesthetic neurobiology and neuroaesthetics. I will first outline what can be called the primary repertoire, the volumes of brain that we start out with at birth, and the possibility of the transformation of this primary repertoire into the secondary repertoire, by which the organization of new elements is the result of a process by which the primary repertoire is sculpted into patterns, or maps, by the millions of sensations which imposed themselves on us by our senses.