October 31 & November 1, 2008
Delft School of Design: TU Delft
Organized by Deborah Hauptmann and Warren Neidich
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First and foremost, I just want to say thank you all so much for coming out. I know given the hecticness of being in London, and seeing the traffic on the way over here, its always amazing that people can get from point a to point b. After living in New York and comparing it to London, I’ve just realized I have a kind of grid mentality. We heard the gentleman earlier talk about that. And I just realized that the traffic here really alters your sense of perception of time. Its gridlock here. Anyway, to make a long story short, I am an artist, …
This is just, it’s really a response to a lot of things that were said today, and in fact, it’s really really good that I’m right at the end of this panel, because I’m a walking example of what Diedrich [Diederichsen] was saying, and Martina [Wicklein] also, in a sense that neurotransmission and the kind of historical background. What I really want to do is propose a kind of call to arms, and it’s not a performance, it is a proposition, I am actually actively making a proposition towards a certain collectivization, not in a Stalinist sense, but perhaps an active resistance within the so-called …
Today I have chosen some works which I think will have more or less relevance in this context. Just briefly, I was born in Copenhagen, my parents were from Iceland but were studying in Denmark at the time, and I lived a little bit in-between. Then, ten or eleven years ago I finished art school in Copenhagen and I moved down to Berlin and I have been living there since. I came out of art school at a time (in the early nineties) when, at least in Danish art schools, it was slightly apocalyptic, always being about the end of everything in this sort of …