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Artbrain > Journal of Neuro-Aesthetic Theory > Journal of Neuro-Aesthetic Theory #2 (2000-02)

Journal of Neuro-Aesthetic Theory #2 (2000-02)

Cinema and the Brain

Artists’ Projects

Electric Mind: A Screenplay (excerpt)

BY: Diana Thater

Non-Visual Films

BY: Philippe Rahm

Importance of Color

BY: Daniel Blaufuks

White Balance (excerpt)

BY: Francois Bucher

New York Trolleys: Nervous System Demonstration

BY: Ken Jacobs

N 33° 51’ E 130° 47’

BY: gruppo A12 and Francisca Insulza

Corpus Callosum

BY: Eric Duyckaerts

Cinema and the Brain

From the Externalization of the Psyche to the Implantation of Technology

BY: Lev Manovich

The Task of the Digital Translator

BY: Laura U. Marks

Interview with Joseph Nechvatal

BY: Martha Trivizas

BLOW UP: Photography, Cinema and the Brain

BY: Warren Neidich

Does One Film to Forget?

BY: Yann Beauvais

Antonioni’s Blow Up And The Chiasmus Of Memory

BY: Colin Gardner

Five Propositions on the Brain

BY: Gregg Lambert and Gregory Flaxman

Emotion and Cognition: About Some Key-Figures in Films by Alan Clarke

BY: Andrea Grunert

Memento: In Search of Remembrance

BY: Penny Starfield

Artists Collaborate with Neurologists

Nomadic Memory, Rims of Place

BY: Meena Alexander

Disorientation and the Brain: A Response to Nomadic Memory

BY: Michael Salcman

Ad Gabriele Leidloff: Video of a Moving Visual Object

BY: W. H. Zangemeister

Cut Short

BY: Ellen K. Levy and David E. Levy

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