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Articles by Dan Levenson:

A Note on the Type

When I was first confronted with the typeface in which this publication is set I felt as though I were in an elevator that was falling without resistance from a great height. It was a clear June day and I had gone to meet a friend in order to hand him an essay entitled “Modern Typography and the Hermeneutic Circle,” which I had begun writing the previous autumn and had completed only that morning. My friend was spending the afternoon at a local printing house of great reputation run by an old friend of his. When I entered the long sunlit hall with its rows …

This post is in: Journal of Neuro-Aesthetic Theory #5 (2007-11),Pluripotential (Shifter 16)

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