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Articles by Michael Madore:


I would like to argue that these two pieces by Hanneline Rogeberg and Janine Antoni not only depict the convergence of the aesthetic with the synesthetic but also demonstrate the historical transformation of the convergence itself. That is, it is not only a matter of how artists have aestheticized synesthetic experience (as in reducing it to a rhetorical ploy), but also how this process has been changed by developments in neuroscience which in turn have altered our concept of how a symptomology of perception operates. …

This post is in: Journal of Neuro-Aesthetic Theory #1 (1997-99)

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