Journal of Neuroaesthetics #2Cinema and the Brain (2000-02)Edited by Warren Neidich Artists' Projects Electric Mind: A Screenplay (excerpt)by Diana Thater Non-Visual Filmsby Philippe Rahm Importance of Colorby Daniel Blaufuks White Balanceby Francois Bucher New York Trolleys: Nervous System Demonstrationby Ken Jacobs N 33° 51’ E 130° 47’by gruppo A12 and Francisca Insulza Corpus Callosumby Eric Duyckaerts Cinema and the Brain From the Externalization of the Psyche to the Implantation of Technologyby Lev Manovich The Task of the Digital Translatorby Laura U. Marks Interview with Joseph Nechvatalby Martha Trivizas BLOW UP: Photography, Cinema and the Brainby Warren Neidich Does One Film to Forget?by Yann Beauvais Antonioni’s Blow Up And The Chiasmus Of Memoryby Colin Gardner Five Propositions on the Brainby Gregg Lambert and Gregory Flaxman Emotion and Cognition: About Some Key-Figures in Films by Alan Clarkeby Andrea Grunert Memento: In Search of Remembranceby Penny Starfield Artists Collaborate with Neurologists Nomadic Memory, Rims of Placeby Meena Alexander Disorientation and the Brain: A Response to Nomadic Memoryby Michael Salcman Ad Gabriele Leidloff: Video of a Moving Visual Objectby W. H. Zangemeister Cut Shortby Ellen K. Levy and David E. Levy
